Stephen Kay

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Stephen Kay



	Other articles/links: Videos of Stephen Kay demonstrating the Korg OASYS and new Korg M3 The making of the Korg OASYS Keyboard Magazine, April 2005 KARMA Comes Around Keyboard Magazine - April 2001 Philadelphia Inquirer - August 2001 Mix Magazine - February 1998 More Articles/Reviews/Press

Karma Lab president Stephen Kay has an extensive background as a professional musician and composer. He started singing and playing the piano at age seven and was classically trained as a child. Since then he has played in just about every musical situation you can think of, including rock bands, show bands, jazz fusion bands, piano bars, recording studios and cruise ships. His compositions and recordings have appeared as themes for world-wide NBC sports programs such as Wimbledon and the French Open. He has sampled and edited the waveforms of symphony orchestras for a collection of sounds for the Fairlight Series III; he has traveled extensively world-wide as a product demonstrator for KORG. Right: demonstrating the Korg Karma in Tokyo, Japan 2001


		He is old enough to remember when his keyboard setup (which he lugged around to various gigs) included a Hammond and Leslie, Clavinette, Rhodes 88, Yamaha SY-2, ARP String Ensemble, and 2 customized ARP 2600s, not to mention a 32-step analog sequencer (oh boy!) Left: original prog-rock band "Tears", circa 1977 Always fascinated with the more technical aspects of making music, a long list of gear has since passed through his hands (and bank account!) (below photo by Chris Johnson)


He is perhaps well-known (to a few at least) for having created some of the wackiest and well-received factory demo sequences in the Musical Instrument Industry, often using algorithmic computer generated musical effects. Among the many products which shipped world-wide with his sequences installed are the KORG M3, Karma, Trinity, 01/W, i-Series, X5DR, 03R/W, and the Alesis QuadraSynth (v2). These sequences, which have convinced tens of thousands of people around the world to lay out their hard-earned cash for various keyboards and sound modules, can be listened to from the Product Demos section of Kay's Media Gallery. Right: Personal Studio and R&D Center 2001

After receiving two U.S. and Japanese patents for features on the Korg i-Series that he developed in Opcode’s Max (now a Cycling '74 program), Kay was seduced by the evil lure of computer programming and has since become a proficient C/C++ programmer. He now has no life. For the last 13 years he has been developing the algorithmic music technology named KARMA®, which stands for “Kay Algorithmic Realtime Music Architecture”. Over the past several years, KARMA has been awarded 9 US Patents, with more pending in the US and abroad. Several products incorporating the technology have been released, with more on the way. The award-winning Karma Music Workstation was released to critical acclaim in 2001, Korg's flagship synth OASYS was released in 2005 and continues to maintain its status as the world's most impressive and expandable workstation, and the new Korg M3 Workstation was released in 2007 and is rapidly becoming the "workstation of choice". The newer products incorporate an even more advanced version of KARMA Technology. More information about KARMA can be found here.

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